Jennifer Brennan-Hondorp

Kishna Davis

Pamela Hinchman

Pamela Hinchman

Teresa Seidl

Shawnette Sulker

Stella Zambalis

Buffy Baggott

Julia Elise Hardin

Jennifer Lane

Carol Sparrow

Michelle Wrighte

Robert Bracey

Benjamin Brecher

James Doing

Randolph Locke

Jeffrey Springer

Mark Thomsen

Bradley Williams

Graham Fandrei

Kenneth Overton

Frederick Reeder

Charles Robert Stephens

Gerard Sundberg

James Patterson

Additional Artists



Concert Quartets

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Britten: Canticle III: Still Falls the Rain

UNCG School of Music, Theatre and Dance, Greensboro, NC

Tenor Robert Bracey seemed born for this music, with a beautiful bright clear tone, an aristocratic bearing (in the best sense), and a pristine delivery of the difficult and evocative text. Pianist Rebecca Wilt and hornist Abigail Pack were on a similarly high level. This was some of the best singing I have heard in quite some time. In a word: perfection.

            -Classical Voice North Carolina


Finzi: Dies Natalis

Wisconsin Chamber Orchestra, Madison, WI

Tenor Robert Bracey "How fair and bright! How great am I/ Whom the whole world doth magnify!" Bracey sang in the "Rapture" movement. Bracey had a dark, rich tone, a fine match with impassioned trills in the high strings and rhythmic pizzicato (plucked strings) in the bass and cello. I loved Bracey's phrasing, and how his long held notes seemed to whisper away.

            -77 Square (Wisconsin State Journal and The Capital Times)



Robert Bracey, tenor

Robert Bracey, tenor

Robert Bracey, tenor


            Robert Bracey has performed throughout the United States and made appearances in Canada, Russia, Europe, India, and Japan. He was awarded first place in the 2002 Oratorio Society of New York’s Annual International Solo Competition at Carnegie Hall. He returned to Carnegie Hall for performances of Handel: Messiah later that year. He made his Detroit Symphony debut at Orchestra Hall and his Kennedy Center debut in Washington, DC with the Choral Arts Society of Washington.

            Recent engagements include performances with the Symphony Orchestra of India and the Paranjoti Academy Chorus at the National Centre for the Performing Arts in Mumbai, India, the Telemann Chamber Orchestra in Tokyo and Osaka, Japan, Oratorio Society of New York, Wisconsin Chamber Orchestra, World Youth Symphony at Interlochen, Detroit Symphony, Grand Rapids Symphony, Pacific Symphony, Orlando Philharmonic, Choral Arts Society of Washington, ProMusica Chamber Orchestra, Dayton Philharmonic, Syracuse Symphony, Wichita Symphony, Elgin Symphony, Southwest Florida Symphony, North Carolina Symphony, Duluth-Superior Symphony, Fort Wayne Philharmonic, Greensboro Symphony, Illinois Symphony, Flint Symphony, Midland Symphony, East Texas Symphony, Duke University Chapel Choir, Boise Philharmonic, Independence Messiah Festival, Choral Arts Society of Greensboro, Ann Arbor Symphony, Greater Lansing Symphony, Bach Festival Society of Winter Park, Messiah Choral Society of Orlando, Choral Society of Durham, Kalamazoo Bach Festival, and the University Musical Society in Ann Arbor, Michigan.

            An oratorio specialist, he has worked with such well-known conductors as Helmuth Rilling, Simon Preston, Sir Philip Ledger, Norman Scribner, Carl St. Clair, Jos van Veldhoven, David Lockington, Hal France, Lyndon Woodside, Gustav Meier, Grant Llewellyn, Robert Hanson, Enrique Diemecke, Jerry Blackstone, Rodney Wynkoop and Andrew Sewell.

            A Regional Finalist in the New York Metropolitan Opera Auditions, he also won first place in the National Association of Teachers of Singing Regional Competition. Other honors include the N.A.T.S. Jessye Norman Award for the most outstanding soloist at the competition, the Rose Marie Jun Voice Award, the Betty Brewster Award from the Cranbrook Music Guild, the Joy Whitman Weinberger Opera Award, a Dean's Award from Bowling Green State University, and winner of the University of Michigan Concerto Competition.

            Centaur Records released Bracey’s first solo compact disc in 2006. The recording of English art songs entitled Sweet was the Song also features pianist Andrew Harley and violist Scott Rawls. It is available in markets worldwide.

            He holds a Bachelor of Music Degree in Music Education from Michigan State University, a Master of Music and a Doctor of Musical Arts Degree in Voice Performance from the University of Michigan. He has previously served on the faculties at Bowling Green State University and Michigan State University. He also taught on the voice faculty of the Michigan All-State program at the Interlochen Arts Camp for twelve summers. He is currently Professor of Voice and Coordinator of Vocal Studies at the University of North Carolina at Greensboro.


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